Who was David Hockney? The story of the artist behind the long-lasting pool work
British artist David Hockney, who reworked California swimming swimming pools into a few of the most recognisable photographs in fashionable artwork and spent seven a long time continuously reinventing himself, died on June 12, simply weeks earlier than his 89th birthday. From turning into one of many first main artists to depict homosexual relationships with tenderness and openness to embracing the iPad as a artistic device in his later years, Hockney’s life was outlined by an unwavering refusal to face nonetheless.
Rising up within the industrial metropolis of Bradford in northern England, Hockney grew to become fascinated by the sharp shadows he noticed in Laurel and Hardy movies. To him, they prompt a spot the place the solar at all times shone.
He discovered that world in Los Angeles after shifting there within the Nineteen Sixties. Swimming swimming pools, palm bushes and suburban patios grew to become recurring motifs in his work, rendered in luminous colors and flattened views that helped redefine modern portray.
“I had spent the primary 20 years of my life within the gothic gloom of the North,” Hockney as soon as mentioned. “Right here I felt free.”
2. His pool work made public sale historical past
Hockney’s fascination with California culminated in a few of the most well-known artworks of the twentieth century.
His 1972 masterpiece, Portrait of an Artist (Pool with Two Figures), bought for $90.3 million at Christie’s in 2018, then the best worth ever paid at public sale for a piece by a dwelling artist.
Two years later, The Splash (1966) fetched £23.1 million at Sotheby’s.
But Hockney remained remarkably indifferent from wealth.
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“The second I first bought photos to earn a dwelling, I felt wealthy,” he informed AP. “You’re a wealthy man in case you do the stuff you wish to do.”
3. He painted homosexual lives lengthy earlier than acceptance
Hockney got here out as homosexual at a time when homosexuality remained a legal offence in Britain.
As an artwork scholar, he gave his works provocative titles equivalent to We Two Boys Collectively Clinging, Going to be a Queen for Tonight, Doll Boy and Two Males in a Bathe. His work introduced visibility, intimacy and tenderness to same-sex relationships a long time earlier than they entered mainstream tradition.
He additionally challenged inventive conventions by portraying younger male our bodies with the identical consideration that artists had traditionally reserved for feminine nudes.
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4. He by no means stopped experimenting
Few artists embraced reinvention as enthusiastically as Hockney.
Over greater than 70 years, he labored throughout acrylics, oil portray, printmaking, pictures, fax machines, opera set design, video installations and digital drawing.
His 1986 photographic collage Pearblossom Freeway challenged conventional concepts of perspective. He later argued that Outdated Masters had relied extra closely on optical gadgets than historians acknowledged. He even designed a stained-glass window for Westminster Abbey.
In his later years, the iPad grew to become one in every of his favorite inventive devices.
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5. His message throughout Covid-19 grew to become his legacy
Maybe Hockney’s most memorable gesture got here in the course of the Covid-19 lockdown.
Dwelling in Normandy in 2020, he spent his days creating iPad drawings of spring unfolding in his backyard and sending them to mates around the globe.
Hooked up to them was a easy message:
“Do bear in mind they will’t cancel the spring.”
The phrase resonated far past the pandemic, finally illuminating the Fondation Louis Vuitton in Paris throughout a significant retrospective in 2025.
Even approaching his 89th birthday, Hockney confirmed little curiosity in slowing down.
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“You don’t retire doing this,” he as soon as mentioned. “You simply do it till you fall over.”
For an artist who spent a lifetime discovering new methods to see the world, it was maybe probably the most becoming epitaph of all.
(With inputs from businesses)
(This text was written by Seekriti Saha, an intern at The Indian Categorical)

